19th Century European art is a bit, I think, like the mid-list author. In case you don't know, a mid-list author is rarely given the best placement in a bookshop or individual attention from publishing house reps for the new releases, or top dollar contracts. In fact, they are often dumped by a publisher without much thought for a series they be in the midst of, and all despite producing consistently good books.
Well, times they are a changing, or they are at least they are in the art world.
Anyway, you can read the Telegraph.co.uk's article on the auction, which is what caught my attention but it was the fiscal history of the painting which caused my mouth to drop open, and I'll share a bit of it here.
bought in 1904 for £5,250 [one of the most expensive ever sold in England]
sold in 1960 for £900 [for frame] and painting offered to many British museums for no cost, but not taken
sold in 1995 for $2.8 million [ in New York]
sold in 2010 for $36 million [$31 to $33 million over estimate]
So, does Alma-Tadema represent a shake up in the art world, or a freak event? In my opinion it's a shake up because of supply and demand, although it also looks like art is a commodity which some people are willing to invest ever more money into. Those who collect aren't selling and need to search for their treasures in other categories.
Thank you Telegraph.co.uk for consistently feeding my love for art news and for the picture of The Finding of Moses and ArtInfo for the Modigliani news and picture.
*=in both cases, the last auction held was this time last year.
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